The Thing Around Your Neck, Chimamanda Ngozi Adichie

A thought provoking collection of short stories. Some have the same themes, of displacement, racism, judgement and the way people deal with the circumstances they have been delt. It's clear that Adichie is writing from her experience and there are frustrations played out in the stories; many of her female characters are constantly and consistently patronised.

The stories are never repetitive and always seem to linger. Adichie writes a sense of place and ambience so well that sometimes it isn't the stories (in terms of plot) that stay with you, but a sense of a character's experience, Similar to personal memories, emotions are recalled.

Eleanor Oliphant is Completely Fine, Gail Honeyman

I was blown away by this book - it was a gift and I was expecting something more vacuous. It is brilliantly written. The central character has trouble fitting into the world and Honeyman makes us see why people can't bond with her, but shows the reader someone completely relatable. Oliphant makes hilarious, cutting observations which make the book a joy, even though the central themes are heavy. 

Primarily the novel is about loneliness - how a functioning young woman with a job can go home on a Friday evening and not speak to anyone until she goes back to work on Monday. She is disdainful of her colleagues who openly make fun of her and through the descriptions of her clothes and flat she doesn't seem to have any outward personality.

Oliphant's story is dramatic and in some ways this is annoying. I can see why Honeyman made that decision, though I feel it was a pragmatic one - for publishers and bookshops. She makes the point she wanted to and it is brilliant to read something so affecting and empathy-inducing, though it doesn't take dramatic circumstances to make someone disconnected from the world and unable to find a place and their people. Also, I think on some level everyone both struggles with loneliness and somehow contributes to another's sense of it. Having said that, Honeyman has begun conversations and opened thinking paths with a novel that has a weight and joy to it. 

The House of Mirth, Edith Wharton

Edith Wharton explores upper class society in late 19th Century America. She is powerfully critical of almost all who are, or aspire to be in and around, that social circle. Through Lily Bart she shows a woman born into a high society family who ended up with very little money. Her upbringing left her with social skills and a sense of entitlement, as well as a fear of living without luxury.  

Wharton presents Edith as a figure we should feel empathy for. She is charming and through her tightrope existence she exposes the hypocrisies and unnecessary, arbitrary rules of the class. Bart is both relatable and exasperating, she is in a constant state of ambivalence; seeing the society for what it is and priding herself on being able to manipulate it's members, though completely unable to commit to being one of 'them' - though that is what she desperately wants.

It is a good read, though the ending is a little dramatic and not as interesting as it could have been - a product of it's time perhaps. 

Travels with Charley, John Steinbeck

I have a lot of love for John Steinbeck though have not read any of his non-fiction before. This book is very reliant on his personality as well as his ability to describe scenes and luckily his personality and the way he looks at his own country and it's people is not a disappointment. Unsurprisingly Steinbeck has an ability to read both situations and people and to draw out stories. This is a very beautiful and poignant portrait of America in 1960, though it also looks at solo travelling and growing older. It's refreshing to read a travel book by someone who is looking for something outside of themselves; who is secure with themselves and the things they have achieved, and is nearer the end of their working life than the beginning. It was a different perspective for me and is up there as one of my favourite travel books.

The Color Purple, Alice Walker

This novel has an incredibly strong voice; it is written as if by Celie herself, an uneducated young woman, which brings you closer to the character though it is sometimes difficult to see exactly what is happening, both to the other characters and to her. It seems much more real because of this; there's no all seeing eye.
The narrative itself is difficult, Celie suffers every kind of abuse throughout her life and the other female characters don't fare so much better. The beacon throughout the book is the relationships Celie forms with the other female characters. Even if there are some rocky starts and tensions they lift up and support each other. It feels important.

Dear Lupin; Letters to a Wayward Son, Roger and Charlie Mortimer

Dear Lupin is a collection of letters written by Roger Mortimer to his son Charlie, starting from when Charlie went to school to Roger's death in 1991. There is a lot in here that a reader just doesn't understand as the letters are wonderfully natural; Roger relies on Charlie's prior knowledge of all his friends and acquaintances, but the letters are none the less delightful and funny. They are moving too, showing a more or less distant and stressful relationship with a son who hadn't turned out quite as they were expecting, but the love and support of the parents and son (mostly) shines through.

Agnes Grey, Anne Bronte

Agnes Grey is predictable but none the less lovely, we follow Agnes as she leaves home for the first time and begins to work as a governess. Bronte obviously wanted to expose the impossible task governesses faced at the time. In both her positions Agnes is expected to keep a tight reign on her charges, without being able to hold any authority over them. Agnes can be very annoying, she is puritanical and thinks a lot of herself when it comes to her morals, though she isn't dislikable, rather we can sympathise with both her struggling with her students and her students struggling with her. It's a comfortable, easy read.